The unending voyages of the dispossessed across cultural and political boundaries in human history serve as a vast backdrop for Sudipta’s artistic pursuit. It enables the artist to redraw her own identity as a fourth-generation Bangladeshi migrant in India. Soaring To Nowhere stresses on the non existence and displacement of refugees through the figures which are suspended in the air. The gap provokes the viewer to ponder about the entitlement of the place of people and their citizenship.
Supported by Gallery Latitude 28