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Open Call
UNAW Gallery | | Call for Submissions</h2>
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<p>Deadline: 15/12/2025</p>
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<p>UNAW GALLERY announces the open call <Title Unknown>, inviting contemporary artists born after 1980 based in Korea and abroad. The project embodies the journey of artists as they discover new identities and expand their narratives. Through <Title Unknown>, the gallery aims to discover and support artists who present distinct conceptual depth and aesthetic sensibility within the context of contemporary art.</p>
<p><strong>Application Period: </strong>November 4 – December 15, 2025</p>
<p> </p>
<p><strong>Eligibility Criteria</strong></p>
<p>• Open to both domestic and international artists<br />
• Artists born after 1980<br />
• All fields of visual arts (painting, sculpture, installation, photography, video, media, etc.)<br />
• At least one previous solo exhibition or participation in a major group exhibition<br />
• Artists with an international practice or potential for future expansion</p>
<p> </p>
<p><strong>Category</strong></p>
<p>• Group Exhibition (2026): 3–5 artists<br />
• Selected artists from the open call may be further considered for a solo exhibition following the group exhibition, subject to additional review.</p>
<p> </p>
<p><strong>Application Materials</strong></p>
<p>• Application form (Google Form)<br />
• Artist statement (up to 2 pages, A4 size, in Korean or English)<br />
• CV<br />
• Portfolio (selected works from the past 3 years with detailed descriptions; links for video/sound works)</p>
<p> </p>
<p><strong>Submission & Selection Process</strong></p>
<p>• Submit via <span style="text-decoration: underline;"><a href="https://forms.gle/VCntnp8cB8oeC4ij8">Google Form</a></span><br />
• All materials must be merged into a single PDF file (under 100MB)</p>
<p>Results will be individually notified after December 15, 2025.</p>
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<p><strong>Deadline: December 15, 2025</strong></p>
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It is the strength of the reception to these artists\u2019 works, coupled with a new vision of India within the global context, that continues to drive the gallery forward and inspire its passionate founder - Ashwin Thadani.","post_title":"Galerie ISA","post_excerpt":"","post_status":"publish","post_parent":0,"post_author":"7","ID":383,"post_date":"2018-01-11T09:55:42.000000Z","post_date_gmt":"2018-01-11T04:25:42.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"galerie-isa-mumbai","to_ping":"","pinged":"","post_modified":"2026-02-26T13:16:49.000000Z","post_modified_gmt":"2026-02-26T07:46:49.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?post_type=exhibit&p=383","menu_order":58,"post_type":"exhibit","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":83619,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"redirect":"http://galerieisa.com/","email_address":"info@galerieisa.com","permalink":"https://indiaartfair.in/exhibitor/galerie-isa-mumbai","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-740x740.jpg 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-150x150.jpg","featured_image_caption":"","featured_image_sizes":true,"featured_image_rendered":"\u003Cimg width=\"360\" height=\"240\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-360x240.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-360x240.jpg 360w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-300x200.jpg 300w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-1024x683.jpg 1024w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-768x512.jpg 768w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-1536x1024.jpg 1536w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-2048x1365.jpg 2048w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-280x187.jpg 280w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-560x373.jpg 560w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-320x213.jpg 320w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-640x427.jpg 640w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-720x480.jpg 720w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-450x300.jpg 450w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-900x600.jpg 900w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-1280x853.jpg 1280w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-742x495.jpg 742w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-1484x989.jpg 1484w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-1600x1067.jpg 1600w, https://indiaartfair.in/app/uploads/2018/01/4-11.25.01-AM-1920x1280.jpg 1920w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","primary_location":1998,"locations":[]},{"post_content":"Korean Cultural Centre India, New Delhi stands\u00a0as a vibrant hub fostering artistic dialogue and\u00a0connection through its dynamic Art Gallery in\u00a0New Delhi. KCCI's Art Gallery is a dynamic convergence of Korean and Indian artistic expressions and their\u00a0curated exhibitions showcase the harmonious blend of cultures, fostering deeper connections\u00a0between Korea and India. Korean Cultural Centre India presents Lee Lee Nam Studio and his artworks as the representative media arts of Korea.","post_title":"Korean Cultural Centre India","post_excerpt":"","post_status":"publish","post_parent":0,"post_author":"14","ID":51612,"post_date":"2024-01-05T16:05:07.000000Z","post_date_gmt":"2024-01-05T10:35:07.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"korean-cultural-centre-india","to_ping":"","pinged":"","post_modified":"2025-10-28T16:22:58.000000Z","post_modified_gmt":"2025-10-28T10:52:58.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?post_type=exhibit&p=51612","menu_order":0,"post_type":"exhibit","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":51613,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"redirect":"https://india.korean-culture.org/en","email_address":"info@koreanculture.in","permalink":"https://indiaartfair.in/exhibitor/korean-cultural-centre-india","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-150x150.jpeg 150w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-370x370.jpeg 370w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-150x150.jpeg","featured_image_caption":"","featured_image_sizes":true,"featured_image_rendered":"\u003Cimg width=\"360\" height=\"213\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-360x213.jpeg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-360x213.jpeg 360w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-300x177.jpeg 300w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-280x166.jpeg 280w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-560x331.jpeg 560w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-320x189.jpeg 320w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-640x378.jpeg 640w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-720x426.jpeg 720w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-450x266.jpeg 450w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1-742x439.jpeg 742w, https://indiaartfair.in/app/uploads/2024/01/KCCI-1-1.jpeg 768w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","primary_location":1997,"locations":[]},{"post_content":"Ashvita\u2019s is a fine art gallery based in Chennai (Madras). Our primary focus is on the Madras School where we examine and navigate three centuries of artistic development and practices from this region. Our exhibition program weaves a balanced and well planned series of curated displays where individual histories are highlighted to create expansive narratives when viewed as a whole. Our exhibitions are well researched and curated from within our own collection as well as from lending collectors, galleries and institutions. Each exhibition is supported by a series of talks, tours and discussions.\r\n\r\nAshvita\u2019s was established in 2002 and has since held over 110 exhibitions of pre-independence, modern, contemporary and regional art. In the last three years we have been collaborating with galleries across the country to take the Madras School to diverse audiences. Ashvita\u2019s represents several artist\u2019s estates as well as works with a select group of young and emerging contemporary artists from Chennai.","post_title":"ASHVITA'S","post_excerpt":"","post_status":"publish","post_parent":0,"post_author":"14","ID":64510,"post_date":"2024-10-29T12:20:36.000000Z","post_date_gmt":"2024-10-29T06:50:36.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ashvitas","to_ping":"","pinged":"","post_modified":"2025-12-02T00:12:51.000000Z","post_modified_gmt":"2025-12-01T18:42:51.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?post_type=exhibit&p=64510","menu_order":0,"post_type":"exhibit","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":83746,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"redirect":"https://www.ashvitas.com/","email_address":"contact@ashvitas.com","permalink":"https://indiaartfair.in/exhibitor/ashvitas","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-740x740.jpg 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-150x150.jpg","featured_image_caption":"","featured_image_sizes":true,"featured_image_rendered":"\u003Cimg width=\"360\" height=\"240\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-360x240.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-360x240.jpg 360w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-300x200.jpg 300w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-1024x683.jpg 1024w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-768x512.jpg 768w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-280x187.jpg 280w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-560x373.jpg 560w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-320x213.jpg 320w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-640x427.jpg 640w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-720x480.jpg 720w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-450x300.jpg 450w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-900x600.jpg 900w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-1280x853.jpg 1280w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-742x495.jpg 742w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741-1484x989.jpg 1484w, https://indiaartfair.in/app/uploads/2024/10/Copyof_DHE39741.jpg 1500w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","primary_location":2008,"locations":[]}]},"programme":{"menu":"\n \u003Cnav class=\"sub-menu\"\u003E\n \u003Cul class=\"sub-menu__menu\"\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme\"\u003EAll\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme-category/talks\"\u003ETalks\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme-category/performances\"\u003EPerformances\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme-category/guided-art-tours\"\u003EGuided Art Tours\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme-category/workshops\"\u003EWorkshops\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme-category/iafparallel\"\u003EIAF Parallel\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/programme-category/young-collectors-programme\"\u003EYoung Collectors' Programme\u003C/a\u003E\n \u003C/li\u003E\n \u003C/ul\u003E\n \u003C/nav\u003E\n ","extras":[{"post_content":"Humans since 1982 presents \u003Cem\u003EThe Poetry of Time\u003C/em\u003E, the studio\u2019s first solo exhibition in India, opening 19 March 2026 at 079|STORIES in Ahmedabad. Founded in 2009 by Bastian Bischoff (Germany) and Per Emanuelsson (Sweden), Humans since 1982 operates at the intersection of design, art, and technology, exploring temporality as a material for conceptual expression. The exhibition features their iconic works, \u003Cem\u003EA Million Times\u003C/em\u003E and \u003Cem\u003EClockClock 24\u003C/em\u003E. As both kinetic art objects and functioning timepieces, they translate precision engineering into immersive visual experiences. Dozens of synchronised clock hands create patterns and numbers that emerge and disintegrate, shifting between carefully choreographed order and chaos. Between fleetingly telling the accurate time once each minute, the clock hands are freed to become poetic and playful - transitioning from administrators of time to dancers, and back again.\r\n\r\nFind out more \u003Ca href=\"https://www.instagram.com/p/DVqVMN8iF8l/\"\u003Ehere.\u003C/a\u003E","post_title":"THE POETRY OF TIME","post_excerpt":"","post_status":"publish","post_parent":0,"post_author":"2","ID":100707,"post_date":"2026-03-30T15:47:57.000000Z","post_date_gmt":"2026-03-30T10:17:57.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-poetry-of-time","to_ping":"","pinged":"","post_modified":"2026-03-30T15:48:10.000000Z","post_modified_gmt":"2026-03-30T10:18:10.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?post_type=programme&p=100707","menu_order":10,"post_type":"programme","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":100709,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"programme_location":"079|STORIES in Ahmedabad, Gujarat","programme_date":"19 March 2026","time":"6:00 pm","programme_end_date":"4 April 2026","end_time":"","show_time":false,"short_description":"\u003Cp\u003EHumans since 1982 presents The Poetry of Time, the studio\u2019s first solo exhibition in India, opening 19 March 2026 at 079|STORIES in Ahmedabad. Founded in…\u003C/p\u003E\n","label_override":"","permalink":"https://indiaartfair.in/programme/the-poetry-of-time","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-740x740.jpg 740w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-300x300.jpg 300w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-400x400.jpg 400w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_AMT72_WG-2-e1774865843824-600x600.jpg 600w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" 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The result of an open call, the exhibitions feature a range of themes from nature, portraits, and still life, to documentary and landscape photography, combined with\u00a0performance, painting, audio, sculpture, literature, and text.\r\n\r\n \r\n\r\nFind out more \u003Ca href=\"https://www.instagram.com/p/DWOSpq2DN-X/?img_index=1\"\u003Ehere.\u003C/a\u003E","post_title":"INTERNATIONAL PHOTOGRAPHY OPEN 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The exhibition proposes an alternate way of making that integrates indigenous knowledge, sensitivities, and interests through shared experimentation and reciprocity across identity and labour, while remaining grounded in co-creation with the community.\r\n\r\nFind out more about the show \u003Ca href=\"https://www.instagram.com/inheritedartsforum?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==\"\u003Ehere\u003C/a\u003E.","post_title":"No \u2018One\u2019 Maker: Textiles as 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Khatri","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"programme_location":"Inherited Arts Forum, Bikaner House, New Delhi","programme_date":"3 April 2026","time":"5:00 pm","programme_end_date":"8 April 2026","end_time":"","show_time":false,"short_description":"\u003Cp\u003ENo \u2018One\u2019 Maker: Textiles as Community is a group show, curated by Sreyansi Singh, explores how contemporary textile-making embodies the spirit of collectivism and solidarity…\u003C/p\u003E\n","label_override":"READ MORE","permalink":"https://indiaartfair.in/programme/no-one-maker-textiles-as-community","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-740x740.jpg 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-150x150.jpg","featured_image_caption":"","featured_image_sizes":true,"featured_image_rendered":"\u003Cimg width=\"360\" height=\"324\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-360x324.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-360x324.jpg 360w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-300x270.jpg 300w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1024x922.jpg 1024w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-768x692.jpg 768w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1536x1383.jpg 1536w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-280x252.jpg 280w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-560x504.jpg 560w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-320x288.jpg 320w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-640x576.jpg 640w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-720x648.jpg 720w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-450x405.jpg 450w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-900x811.jpg 900w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1280x1153.jpg 1280w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-742x668.jpg 742w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1484x1337.jpg 1484w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1600x1441.jpg 1600w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1920x1729.jpg 1920w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379.jpg 1943w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","featured_image_rendered_lg":"\u003Cimg width=\"742\" height=\"668\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-742x668.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/03/IMG_8379-742x668.jpg 742w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-300x270.jpg 300w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1024x922.jpg 1024w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-768x692.jpg 768w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-1536x1383.jpg 1536w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-280x252.jpg 280w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-560x504.jpg 560w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-320x288.jpg 320w, https://indiaartfair.in/app/uploads/2026/03/IMG_8379-640x576.jpg 640w, 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The selection reflects both continuity and transformation, showing how her practice has responded to time, experience, and changing artistic concerns.\u003C/span\u003E\u003C/div\u003E\r\n\u003Cdiv dir=\"auto\"\u003E\u003C/div\u003E","post_title":"Jaya Ganguly: A Retrospective (1982\u20132025)","post_excerpt":"","post_status":"publish","post_parent":0,"post_author":"2","ID":100680,"post_date":"2026-03-27T14:24:12.000000Z","post_date_gmt":"2026-03-27T08:54:12.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jaya-ganguly-a-retrospective-1982-2025","to_ping":"","pinged":"","post_modified":"2026-03-27T14:24:12.000000Z","post_modified_gmt":"2026-03-27T08:54:12.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?post_type=programme&p=100680","menu_order":15,"post_type":"programme","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":100682,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"programme_location":"IFBE, Ballard Estate, Fort Mumbai","programme_date":"2 April 2026","time":"6:00 pm","programme_end_date":"9 April 2026","end_time":"","show_time":false,"short_description":"\u003Cp\u003EThe Centre of International Modern Art (CIMA), in collaboration with Art Magnum presents, Jaya Ganguly: A Retrospective (1982\u20132025), celebrating over four decades of the artist\u2019s…\u003C/p\u003E\n","label_override":"","permalink":"https://indiaartfair.in/programme/jaya-ganguly-a-retrospective-1982-2025","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-150x150.png 150w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-370x370.png 370w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-740x740.png 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-150x150.png","featured_image_caption":"","featured_image_sizes":true,"featured_image_rendered":"\u003Cimg width=\"360\" height=\"449\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-360x449.png\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-360x449.png 360w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-240x300.png 240w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-768x959.png 768w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-280x350.png 280w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-560x699.png 560w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-320x400.png 320w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-640x799.png 640w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-720x899.png 720w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-450x562.png 450w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-742x926.png 742w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6.png 801w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","featured_image_rendered_lg":"\u003Cimg width=\"742\" height=\"926\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-742x926.png\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-742x926.png 742w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-240x300.png 240w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-768x959.png 768w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-280x350.png 280w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-560x699.png 560w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-320x400.png 320w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-640x799.png 640w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-360x449.png 360w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-720x899.png 720w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6-450x562.png 450w, https://indiaartfair.in/app/uploads/2026/03/IAF-P_Art-Magnum_Jaya-Ganguly-artwork-6.png 801w\" data-sizes=\"auto, (max-width: 742px) 100vw, 742px\" /\u003E","nice_date_time":"2-9 April, 2026","sponsored":false,"sponsored_label":"","programme_categories":[]}]},"stories":{"menu":"\n \u003Cnav class=\"sub-menu\"\u003E\n \u003Cul class=\"sub-menu__menu\"\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories\"\u003EAll\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-featured\"\u003EFeatured\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-bmw-artist-films\"\u003EBMW Artist Films\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-artists-in-residence\"\u003EArtists in Residence\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-artist-profiles\"\u003EArtist Profiles\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-designers-we-love\"\u003EDesigners We Love\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-where-i-work\"\u003EWhere I work\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-creating-in-community\"\u003ECreating in Community\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-what-i-did-last-summer\"\u003EWhat I Did Last Summer\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-meet-the-makers\"\u003EMeet the Makers\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-art-playlists\"\u003EArt Playlists\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-studio-visits\"\u003EStudio Visits\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-recommended-reads\"\u003ERecommended Reads\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-guides\"\u003EGuides\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/stories#tag-noticeboard\"\u003ENoticeboard\u003C/a\u003E\n \u003C/li\u003E\n \u003C/ul\u003E\n \u003C/nav\u003E\n ","extras":[{"post_content":"In a world where women\u2019s labour largely remains invisible, artist Afrah Shafiq reimagines the humble sampler, an often hidden piece of cloth used by countless women to practice embroidery patterns, as a way to record and map embroidery traditions, arithmetic logic, and coded languages embedded in motifs across time and cultures, in a deeply personal act of gathering.\r\n\r\nWorking across hybrid forms that bring together text, sound, code and animation, Afrah's practice seeks to retain the tactile within the digital and the poetry within technology. From st.itch (2017), which examined women's domestic labour through a multimedia patchwork cum QR code, to her 2024 video game The Bride Who Could Not Stop Crying, rooted in Slavic folk embroidery traditions, Shafiq has returned constantly to needlework as computational system and coded text, as a way to examine power structures, societal frameworks, and gendered spaces. \"Through this game I began to see embroidery as text that can be read, and motifs as a language of their own, embedded within incredibly complex and rich meanings.\"\r\n\r\nThis interest in building \"archives that one wishes existed\" sits at the core of her practice. She has long worked at the intersection of the physical and digital, creating spaces where material culture and code coexist.\r\n\r\nWe arrive at Shafiq's studio, a freshly painted white and red duplex in a small gated community that was once imagined as a group of Airbnb homes built around an oddly shaped pool, now out of commission, filled halfway with green mossy water and graffiti that dishes out bite-sized philosophies: \"We've Lost Dancing\", \"Where Is The Will To Be\". A red-laterite staircase leads us up to a hand-painted \u003Ci\u003Ephool patti\u003C/i\u003E sign that reads \"Love & Other Outdoor Games\u201d, the same as the artist's online tag. Inside, a large hall and a smaller room connected by a short passage feel open; slanted light streams in, catching the red oxide floor and the stained glass mosaics Shafiq is working on. Books on craft practices, algorithmic thinking, parenting, pattern sit alongside small containers of material from past and current projects. In the corridor, a geographically expansive collection of Mother Mary figurines echoes the Goan landscape punctuated by grottos and shrines. In the smaller room, Shafiq pulls up early mockups of the facade on her computer, then quickly animates a small pixelated device nearby to show us in real time what people would see when they scanned the motifs on their phones. A whiteboard lists projects underway, pending tasks, upcoming deadlines. Pin-up references of textile traditions, images of patterns, find place on the walls of both rooms, alongside letters from family and friends, prompts and instructions by Dzongsar Khyentse Rinpoche, photographs of Shafiq as a child, a polaroid of her daughter.\r\n\u003Cblockquote\u003E\"I began to think of the facade as my own giant sampler, where I can collect and collate my favorite motifs, or the ones that speak to me the most.\"\u003C/blockquote\u003E\r\nResearched and produced in response to this year's commission theme, Crafting in Continuum, \u003Ci\u003EThe Giant Sampler\u003C/i\u003E sits at the intersection of hand and machine, placing traditions of craft alongside acts of production, labour, and histories that have largely gone unrecorded. When approaching the commission, Shafiq was clear about where she didn't want to start: \"I love using technology, but I don't find it interesting when the tech itself is the beginning and ending of a work.\" What began as a desire to collate \"an almost encyclopedic collection of embroidery motifs from various geographies and periods\" led her to the form of the sampler. \"I began to think of the facade as my own giant sampler, where I can collect and collate my favorite motifs, or the ones that speak to me the most.\"\r\n\r\nThe facade became a grid rendered in the likeness of aida, the open even-weave fabric used for cross-stitch. Each stitch was scaled through extensive trials, calibrated to be legible from a distance yet dense enough to hold detail. The result : a collection of over 150 unique motifs, redrawn from archival sources, placed across the surface in loose thematic clusters. Among these, the Kasuti Peacock from North Karnataka, associated with the monsoon and abundance; the Latvian Horses, believed to bring good fortune to travelers; the Egyptian Mamluk Two-headed Bird, signaling the coexistence of opposing forces, from the 18th century, and the symbol of the wheel, drawing from a 1937 German pattern book that reconfigured folk symbols into cross-stitch logic. Variations of wheels, abstracted, historical, symbolic, found their place within the grid, embedded seamlessly into the broader lexicon of motifs.\u003Cspan class=\"Apple-converted-space\"\u003E\u00a0\u003C/span\u003E\r\n\r\nSelected motifs were then animated into looping sequences, accessible through an app that allowed visitors to scan the facade and witness these forms come alive in real-time. Each motif was accompanied by a digital card, turning the facade into an interactive encyclopedia of embroidery. The motif gallery remains available to the public through the Sample This! app (available on the App Store & Google Play).\r\n\r\nIn \u003Cem\u003EThe Giant Sampler\u003C/em\u003E, embroidery, long dismissed as craft, women\u2019s work, or decoration, was returned to what it always meant to be: a complex register of culture, community, and knowledge-making, and with it, the labour of countless women. Through this work, Shafiq didn't just will these women into visibility but asked us to imagine a world that had never made them invisible to begin with.\r\n\r\n[video width=\"1920\" height=\"1080\" mp4=\"https://indiaartfair.in/app/uploads/2026/03/IAFxParaffin.Afrah_.V4.Withsubs.Compressed.mp4\" loop=\"true\" autoplay=\"true\"][/video]\r\n\r\n\u003Cstrong\u003EAfrah Shafiq is the winner of the fifth edition of 'The Future Is Born of Art' Commission led by BMW India and India Art Fair. Her winning installation The Giant Sampler reimagined the fair's facade as a 400-foot interactive embroidery archive, marking the first time the Commission extended onto the architectural surface of India Art Fair itself.\u003C/strong\u003E","post_title":"AFRAH SHAFIQ CREATES A LIVING ARCHIVE INSPIRED BY EMBROIDERY TRADITIONS AND THE WOMEN BEHIND THEM, ACROSS TIME AND CULTURES","post_excerpt":"","post_status":"publish","post_parent":0,"post_author":"3372","ID":100561,"post_date":"2026-03-19T17:17:22.000000Z","post_date_gmt":"2026-03-19T11:47:22.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"afrah-shafiq-creates-a-living-archive-inspired-by-embroidery-traditions-and-the-women-behind-those-traditions-across-time-and-cultures","to_ping":"","pinged":"","post_modified":"2026-03-25T16:34:47.000000Z","post_modified_gmt":"2026-03-25T11:04:47.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?p=100561","menu_order":1,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":100562,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"intro_text":"\u003Cp\u003E\u003Ci\u003EWe speak to the winner of the fifth edition of ‘The Future Is Born of Art’ Commission, led by BMW India and India Art Fair.\u003C/i\u003E\u003C/p\u003E\n","show_play_button":false,"label_override":"","permalink":"https://indiaartfair.in/afrah-shafiq-creates-a-living-archive-inspired-by-embroidery-traditions-and-the-women-behind-those-traditions-across-time-and-cultures","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-740x740.jpg 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-150x150.jpg","featured_image_caption":"","featured_image_sizes":true,"date_nice":"March 19, 2026","featured_image_rendered":"\u003Cimg width=\"360\" height=\"540\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-360x540.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-360x540.jpg 360w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-200x300.jpg 200w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-683x1024.jpg 683w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-768x1152.jpg 768w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1024x1536.jpg 1024w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1365x2048.jpg 1365w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-280x420.jpg 280w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-560x840.jpg 560w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-320x480.jpg 320w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-640x960.jpg 640w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-720x1080.jpg 720w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-450x675.jpg 450w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-900x1350.jpg 900w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1280x1920.jpg 1280w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-742x1113.jpg 742w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1484x2226.jpg 1484w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1600x2400.jpg 1600w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1920x2880.jpg 1920w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","featured_image_rendered_lg":"\u003Cimg width=\"742\" height=\"1113\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-742x1113.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-742x1113.jpg 742w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-200x300.jpg 200w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-683x1024.jpg 683w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-768x1152.jpg 768w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1024x1536.jpg 1024w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1365x2048.jpg 1365w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-280x420.jpg 280w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-560x840.jpg 560w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-320x480.jpg 320w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-640x960.jpg 640w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-360x540.jpg 360w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-720x1080.jpg 720w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-450x675.jpg 450w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-900x1350.jpg 900w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1280x1920.jpg 1280w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1484x2226.jpg 1484w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1600x2400.jpg 1600w, https://indiaartfair.in/app/uploads/2026/02/4Z2A1437-1920x2880.jpg 1920w\" data-sizes=\"auto, (max-width: 742px) 100vw, 742px\" /\u003E","sponsored":true,"sponsored_label":"In collaboration with BMW"},{"post_content":"\u003Cspan style=\"font-weight: 400;\"\u003EWhat began as a dream of building a life where practice and dwelling could coexist has materialised into something far more intricate: a living archive of ecological presence.\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EKumar\u2019s work confronts the accelerating imbalance between anthropocentric urban expansion of cityscapes and the quiet, coherent systems of nature in rural landscapes. He observes how the green palette subsides against the rigid geometry of perpetually construction-ridden cityscapes, where the architectural matrix replaces organic movement. In response, his practice stages a deliberate juxtaposition: blueprints of city maps and architectural renderings intersect with taxidermy, preserved plant matter, skeletal remains, insect wings and botanical studies. Nothing is too small, too fragile, or too overlooked to enter into his field of inquiry.\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EThe studio itself feels like a dense ecosystem, an entanglement of stems, herbs, anatomical diagrams and preserved forms. Yet this is not emblematic of chaos. Through dissection and study, Deepak reveals nature\u2019s geometric contingency: the internal logic that binds root to soil, wing to air, insect to flower. His large-scale drawings resemble scientific diagrams; his sculptures echo skeletal frameworks; his kinetic works respond subtly to natural rhythms. \u201cThis is not a structure,\u201d he clarifies while gesturing toward one such piece. \u201cIt is an anatomy drawing.\u201d What he renders is not representation, but relationship.\u00a0\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EFor over a decade, he has collected, preserved and carried these fragile remnants across cities. The act of maintenance, cleaning specimens every few months, navigating the difficulty of chemical preservation, is itself part of the work. Care is at the center of his craft.\u00a0\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EA weed carries monumental consequences. He speaks of the Chinese Mullein, a single plant capable of producing hundreds of flowers, visited by dozens of insects in a day. \u201cHow important is the role of a small weed grass, then!\u201d he asks. The question unsettles assumptions about value and hierarchy. If pollination depends on the overlooked, what does eradication truly cost?\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EHis studio operates less as a conventional workspace and more as a meticulous laboratory-archive. Wings collected after a single evening of rain and artificial light, over 50,000 in number, become both specimen and warning. Year after year, he notes their diminishing scale, a quiet metric of atmospheric stress and ecological decline.\u00a0\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EThe process demands intimacy. \u201cI have to build a relationship with this,\u201d he says, referring not only to a plant or insect, but to the fragile continuum they represent. If a particular insect is drawn most strongly to a specific flower, he studies that attraction and composes from it.\u003C/span\u003E\r\n\r\n\u003Cspan style=\"font-weight: 400;\"\u003EKumar\u2019s long-term vision extends beyond the studio walls. He imagines one day establishing a small museum\u2014an enduring repository for these collected lives and their stories. Not a monument to loss, but a living archive of care and shared responsibility.\u00a0\u003C/span\u003E\r\n\r\n[video width=\"1920\" height=\"1080\" mp4=\"https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.V3withsubs.Comp_.mp4\" loop=\"true\" autoplay=\"true\"][/video]\r\n\r\n\u003Cem\u003E\u003Cstrong\u003EBorn in 1993 in Bihar, Deepak Kumar lives and works between Greater Noida and Delhi. His work has been exhibited across India, and he featured in an Outdoor Project titled Breathing Space, supported by Exhibit 320, at India Art Fair 2026.\u003C/strong\u003E\u003C/em\u003E","post_title":"IMBALANCE OF ECOLOGY : DEEPAK KUMAR","post_excerpt":"Deepak Kumar welcomes us into a studio he once only imagined. Tucked within Kaladham, the space serves as both a home and a laboratory","post_status":"publish","post_parent":0,"post_author":"2","ID":100255,"post_date":"2026-02-27T13:33:16.000000Z","post_date_gmt":"2026-02-27T08:03:16.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"imbalance-of-ecology-deepak-kumar","to_ping":"","pinged":"","post_modified":"2026-02-27T14:07:08.000000Z","post_modified_gmt":"2026-02-27T08:37:08.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?p=100255","menu_order":2,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[],"sign_posts":[],"intro_text":"\u003Cp\u003E\u003Cspan style=\"font-weight: 400;\"\u003EDeepak Kumar welcomes us into a studio he once only imagined. Tucked within Kaladham, the space serves as both a home and a laboratory, shared with his partner, artist Richa Arya, and the culmination of a long-held aspiration from his student years. \u003C/span\u003E\u003C/p\u003E\n","show_play_button":false,"label_override":"","permalink":"https://indiaartfair.in/imbalance-of-ecology-deepak-kumar","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-150x150.png 150w, https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-370x370.png 370w, https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-740x740.png 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" 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https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-1484x2638.png 1484w, https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-1600x2844.png 1600w, https://indiaartfair.in/app/uploads/2026/02/ParaffinxIAF.Deepak.Frame1_-1920x3413.png 1920w\" data-sizes=\"auto, (max-width: 742px) 100vw, 742px\" /\u003E","sponsored":true,"sponsored_label":"In collaboration with BMW"},{"post_content":"Morii Design works across embroidery, textile art, and collaborative making, yet remains anchored in a single pursuit: allowing craft to evolve without losing its connection to place, people, and memory. Rooted in long-term relationships with women artisans across rural India, the studio approaches embroidery not as ornament or heritage object, but as a living language\u2014capable of holding time, labour, intuition, and care.\r\n\r\nDrawing equally from meditation, lived experience, and sustained fieldwork, Morii treats process as a form of listening. Making unfolds slowly, guided by observation before intervention. Stitches accumulate intuitively, carrying the rhythms of domestic life, generational knowledge, and shared authorship. Rather than reproducing tradition, the studio reimagines it through restraint, abstraction, and a contemporary design sensibility.\r\n\r\nMaterial and colour play a central role. Natural fibres and muted, earth-derived palettes anchor the work in the landscapes where it is made\u2014soil, bark, grass, and riverbeds\u2014resisting the visual excess of mass production. What emerges is a practice that is grounded yet open, rooted yet responsive. Before Morii Design\u2019s presentation at India Art Fair, we spoke with the studio to understand the ideas, relationships, and processes that shape its work.\r\n\r\n\u003Cstrong\u003EThe inception of Morii Design seems deeply personal and purpose-driven. Can you walk us through the journey that led to its founding? What were the pivotal moments or inspirations that sparked its creation?\u003C/strong\u003E\r\n\r\nMorii\u2019s beginnings can be traced back to an early formative experience at the National Institute of Design. During the foundation year, a course that involved travelling to villages and observing everyday life through sketching and quiet attention proved deeply influential. The exercise was not about intervention but about learning to see\u2014homes, landscapes, routines, and social structures\u2014without judgement. That approach stayed with me and gradually shaped how I began to think about design.\r\n\r\nAfter graduating, this inclination toward rural engagement deepened through \u003Cem\u003EJiyo\u003C/em\u003E, a World Bank\u2013funded project led by Rajeev Sethi. Working with Sujani embroidery artisans in Bihar and Kalamkari artisans in Andhra Pradesh, I spent extended periods living in villages and collaborating closely with women artisans. What became clear during this time was how profoundly regular work and stable income could transform lives\u2014not only economically, but emotionally and socially. Confidence, independence, and dignity emerged alongside craft. That experience became my driving force: to continue working in rural spaces, particularly with women, and to find ways to add value to traditional crafts through design.\u003Ca href=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-840.jpg\"\u003E\u003Cimg class=\"alignnone size-full wp-image-96876\" src=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-840.jpg\" alt=\"\" width=\"2160\" height=\"2700\" /\u003E\u003C/a\u003E\r\n\r\nAround the same time, E.F. Schumacher\u2019s \u003Cem\u003ESmall Is Beautiful\u003C/em\u003E\u00a0offered a philosophical anchor. Its critique of mass production and advocacy for human-scale, decentralised systems resonated deeply with what I was witnessing on the ground. The idea of \u201cproduction by the masses\u201d felt both ethical and urgent.\r\n\r\nMorii was founded in 2019 with a clear intention: to work closely with women artisans and create design-forward work that reimagines traditional crafts without detaching them from their roots. Interestingly, wall-based textile artworks were not part of the original plan\u2014they emerged organically from process-led explorations.\r\n\r\nA defining personal moment arrived in late 2018, during an exhibition curated by Rajeev Sethi to mark the conclusion of \u003Cem\u003EJiyo\u003C/em\u003E. It was here that Kabir, who would later become my partner and co-founder, saw my work for the first time. His belief in the practice and his instinct that it needed its own platform gave me the final push to begin Morii.\r\n\r\n\u003Cstrong\u003EMorii emphasises the fusion of traditional craftsmanship with contemporary design. What core philosophies or principles guide this integration, and how do they manifest in your work?\u003C/strong\u003E\r\n\r\nIn the communities we work with in Kutch, embroidery is a generational skill\u2014one that women learn in childhood and traditionally use to create deeply personal objects such as wedding garments and household textiles. Over time, however, the influx of machine-made materials and mass-produced embellishments has diluted both the quality and cultural depth of the craft.\r\n\r\nOur approach is not about returning to an imagined past, but about restoring intention and finesse. We aim to bring back the discipline and care that once defined these practices, while allowing new visual languages to emerge. Because we work from a contemporary design mindset, the fusion happens naturally: traditional techniques are reinterpreted through restraint, abstraction, and relevance to the present moment.\r\n\r\n\u003Cstrong\u003EYour designs exude a sense of calm and connection. Where do you draw inspiration from, and how do these sources influence your creative process?\u003C/strong\u003E\r\n\r\nMeditation has been a constant presence in my life since childhood. Introduced to it at a young age by my parents, I grew up attending meditation camps and spending extended periods in meditation communes. While I may not have fully understood the practice then, it created a deeply grounding environment.\r\n\r\nToday, meditation continues to shape how I work. I spend time every year deepening my practice, and daily meditation is essential to my routine. When I begin creating, I try to start from a place of emptiness\u2014of stillness. Most of my works emerge intuitively, guided by a sense of flow rather than a fixed outcome.\r\n\r\n\u003Cstrong\u003EWith over 165 women artisans from 12 villages collaborating with Morii, how do you ensure that their traditional skills are preserved and celebrated? Could you share insights into the training programs and how they impact these communities?\u003C/strong\u003E\r\n\r\nMorii began with just 12 artisans from the Jat community in Kutch. Over five years, this has grown into collaborations with more than 165 women across 12 villages, working with Jat and Rabari embroidery, Sujani, Kantha, and Bela block printing.\r\n\r\nWhenever we engage with a new craft, the first workshop is intentionally open-ended. Artisans are invited to create freely, using techniques and motifs they are most comfortable with. This allows us to document existing knowledge and understand the current state of the craft before introducing any design intervention.\r\n\r\nParallel research takes place through books, conversations with elders, and the study of antique embroidered textiles. Over time, we have built a small archive of historic pieces that serve as reference points for understanding the craft in its original form. From this foundation, we develop stitch libraries through experimentation with colour, form, and technique. These are then shared through paid training workshops, creating a space where tradition and contemporary design intersect.\r\n\r\n\u003Ca href=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-841.jpg\"\u003E\u003Cimg class=\"alignnone size-full wp-image-96875\" src=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-841.jpg\" alt=\"\" width=\"2160\" height=\"2700\" /\u003E\u003C/a\u003E\r\n\r\n\u003Cstrong\u003EMorii is known for reviving fading craft forms. Could you provide examples of specific techniques you\u2019ve worked to preserve, such as Sujani or Rabari embroidery? How do you maintain authenticity while adapting these crafts for contemporary audiences?\u003C/strong\u003E\r\n\r\nRather than revival, we think of our work as reinvention. We begin by understanding how a craft originally functioned\u2014its social context, use, and meaning\u2014before examining how its identity has shifted due to market pressures and mass production.\r\n\r\nRabari embroidery, for instance, was historically created for personal use. As this practice has declined, the craft has lost much of its emotional depth. At Morii, we develop a new visual language using these traditional techniques, guided by contemporary sensibilities and an intuitive design process.\r\n\r\nOne principle remains non-negotiable: geographical integrity. We work exclusively with heritage artisans in the regions where each craft originated. We do not displace crafts from their contexts; instead, we allow them to evolve within their own landscapes and communities.\r\n\r\nTransparency is also central to our practice. Every artwork carries information about where it was made and who made it, reinforcing the idea that the work is inseparable from its makers and lineage.\r\n\r\n\u003Cstrong\u003EAmong your various projects, is there one that holds particular significance for you? What made it special, and what did you learn from the experience?\u003C/strong\u003E\r\n\r\nThe textile map of South India (the Deccan Plateau), created for \u003Cem\u003ELiving Lightly\u003C/em\u003E, remains especially significant. The project translated geography into embroidery\u2014mountain ranges formed through stuffed fabric, forests represented by dense clusters of stitches, rivers traced using mirror embroidery, and crops rendered through subtle variations in running stitch.\r\n\r\nCombining multiple craft traditions and material waste, the work expanded my understanding of embroidery as both a tactile and informational medium. It demonstrated how craft can function as storytelling, data visualisation, and emotional mapping simultaneously.\r\n\r\n\u003Ca href=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-843.jpg\"\u003E\u003Cimg class=\"alignnone size-full wp-image-96873\" src=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-843.jpg\" alt=\"\" width=\"2160\" height=\"2700\" /\u003E\u003C/a\u003E\r\n\r\n\u003Cstrong\u003EHow large is your current team, and what roles do they play in bringing Morii\u2019s vision to life? Looking ahead, how do you envision the studio evolving in the next five years?\u003C/strong\u003E\r\n\r\nMorii operates with a small, closely knit team of five. Kabir, my partner and co-founder, leads branding and communication. Two in-house designers manage design development, client communication, and on-ground coordination with artisan groups, while studio operations are overseen internally.\r\n\r\nIn addition, we work with in-house embroidery artisans and a tailor who support sampling and finishing. We are currently developing a new workspace on a one-acre farm, envisioned as both studio and gallery. Designed as an experience centre, it will allow visitors to engage with processes such as block printing, natural dyeing, hand painting, and embroidery.\r\n\r\nLooking ahead, one of our central ambitions is to nurture the artistic potential of younger artisans and expand our work across more craft forms in India. We hope to contribute to a shift in how craft is perceived\u2014not as something static or nostalgic, but as a dynamic, expressive, and deeply contemporary practice.\r\n\r\n\u003Cem\u003E\u003Cstrong\u003EMorii Design is a contemporary textile practice rooted in long-term artisan collaborations across India. Established by designer and co-founder Kabir, the studio\u2019s work spans hand embroidery, textile-based artworks, and site-responsive commissions, foregrounding process, material sensitivity, and place-based making.\u003C/strong\u003E\u003C/em\u003E","post_title":"DESIGNERS WE LOVE: Morii Design","post_excerpt":"India-based studio Morii Design works between craft, intuition, and collective memory. In its practice, embroidery becomes language, time unfolds through process, and inherited knowledge is made present through the hands of many.","post_status":"publish","post_parent":0,"post_author":"2","ID":96970,"post_date":"2026-02-04T21:03:56.000000Z","post_date_gmt":"2026-02-04T15:33:56.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"designers-we-love-morii-design","to_ping":"","pinged":"","post_modified":"2026-02-04T21:03:56.000000Z","post_modified_gmt":"2026-02-04T15:33:56.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?p=96970","menu_order":4,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":96880,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"intro_text":"\u003Cp\u003EIndia-based studio Morii Design works between craft, intuition, and collective memory. In its practice, embroidery becomes language, time unfolds through process, and inherited knowledge is made present through the hands of many.\u003C/p\u003E\n","show_play_button":false,"label_override":"","permalink":"https://indiaartfair.in/designers-we-love-morii-design","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-740x740.jpg 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-150x150.jpg","featured_image_caption":"","featured_image_sizes":true,"date_nice":"February 4, 2026","featured_image_rendered":"\u003Cimg width=\"360\" height=\"450\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-360x450.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-360x450.jpg 360w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-240x300.jpg 240w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-819x1024.jpg 819w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-768x960.jpg 768w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1229x1536.jpg 1229w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1638x2048.jpg 1638w, 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data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","featured_image_rendered_lg":"\u003Cimg width=\"742\" height=\"928\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-742x928.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-742x928.jpg 742w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-240x300.jpg 240w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-819x1024.jpg 819w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-768x960.jpg 768w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1229x1536.jpg 1229w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1638x2048.jpg 1638w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-280x350.jpg 280w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-560x700.jpg 560w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-320x400.jpg 320w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-640x800.jpg 640w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-360x450.jpg 360w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-720x900.jpg 720w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-450x563.jpg 450w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-900x1125.jpg 900w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1280x1600.jpg 1280w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1484x1855.jpg 1484w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1600x2000.jpg 1600w, https://indiaartfair.in/app/uploads/2026/02/Instagram-post-836-1920x2400.jpg 1920w\" data-sizes=\"auto, (max-width: 742px) 100vw, 742px\" /\u003E","sponsored":false,"sponsored_label":""},{"post_content":"For three quarters of a century, Triveni Kala Sangam has stood as one of Delhi\u2019s most enduring cultural institutions\u2014a place where art, craft, music, theatre and ideas have intersected freely, without gatekeeping or commercial constraint. Established in 1950 by the late Ms. Sundari K. Shridharani, and realised in built form by the celebrated architect the late Mr. Joseph Allen Stein, Triveni was conceived as more than a gallery: it was a cultural campus, an open forum for artistic exchange, and a home for both established and emerging practitioners. Over seven decades it has operated as a non-profit that does not take donations, offering artists and audiences alike a rare blend of access, education and practice, grounded in intellectual generosity and institutional independence.\r\n\r\n\u003Cimg class=\"alignright wp-image-100352 size-large\" src=\"https://indiaartfair.in/app/uploads/2026/02/IMG_6701-1024x768.jpeg\" alt=\"\" width=\"1024\" height=\"768\" /\u003E\r\n\r\n\u003Cstrong\u003ETriveni completes 75 years this year. What does this milestone mean to you, and to Triveni as an idea?\u003C/strong\u003E\r\n\r\nSeventy-five years is not just any anniversary; it is evidence of continuity. Triveni was never conceived as a gallery in isolation. Since the beginning, my mother imagined it as a complete cultural ecosystem, where visual arts, music, dance, theatre and education exist together. That idea has survived political change, financial difficulty, and shifting cultural priorities. The fact that Triveni still functions in the way it was intended is, to me, our institution\u2019s real success.\r\n\r\n\u003Cstrong\u003EFor many people, Triveni Kala Sangam and Sundari K. Shridharani are inseparable. How do you see her legacy today?\u003C/strong\u003E\r\n\r\nFor our generation, Triveni was my mother. She lived every aspect of it. What often gets missed is how deeply she worried about artists\u2014not abstractly, but practically. During exhibitions, she was less concerned about how the show looked and more anxious about whether the artist sold work. I remember her being genuinely happy if someone sold even three paintings. That mattered to her more than institutional acclaim. Keeping fees low was never a strategy; it was a moral position shaped by her understanding of artistic struggle.\r\n\r\n\u003Cstrong\u003EThe building itself, designed by the influential American architect, Joseph Allen Stein, is central to Triveni\u2019s identity. How does architecture shape the experience of this space?\u003C/strong\u003E\r\n\r\nMy mother had almost no money when she approached Stein. She told him this upfront and gave him absolute freedom. Stein understood something very important\u2014that physical space affects mental freedom. Low ceilings confine the mind; openness allows thought to expand. He responded not to a brief, but to a belief. What emerged was an environment that encourages lingering\u2014people sit, walk, talk, return. Seventy-five years later, it continues to function exactly as Stein intended.\r\n\r\n\u003Ca href=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04394_S.-N.-Rai-on-left.jpg\"\u003E\u003Cimg class=\"alignleft wp-image-100334 size-large\" src=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04394_S.-N.-Rai-on-left-1024x749.jpg\" alt=\"\" width=\"1024\" height=\"749\" /\u003E\u003C/a\u003E\r\n\r\n\u003Cstrong\u003ETriveni is a shared space across disciplines. Was this always central to its vision?\u003C/strong\u003E\r\n\r\nCompletely\u2013my mother was a dancer before anything else. She trained at Uday Shankar\u2019s institute, where dance, music and visual arts were inseparable. Later, her exposure to Shantiniketan reinforced this idea of exchange across disciplines. Triveni grew directly from that experience and the belief that artists and teachers must meet, talk and influence one another. It was never meant to be a place of silos.\r\n\r\n\u003Cstrong\u003ETriveni has witnessed decades of exhibitions and performances. Are there any moments that defined what it has become?\u003C/strong\u003E\r\n\r\nNo single event defines Triveni. The relationship has always been reciprocal\u2014Triveni shape artists, and artists shape Triveni. What has remained constant is our commitment to emerging practitioners. Young artists were always shown alongside established names. The audience drawn by recognised artists created spillover for those just beginning. That balance has been essential to Triveni\u2019s character.\r\n\r\n\u003Cstrong\u003ESupporting emerging artists remains central to Triveni even today. How is that sustained?\u003C/strong\u003E\r\n\r\nWe deliberately underprice our spaces. First exhibitions are critical, and they must be accessible. My mother used to tell me that people who have never struggled cannot understand what it means to have no food on the table. That awareness stayed with her. Artists need to be able to work independently, without the pressure of unsustainable costs. This is why even today, our smaller galleries remain intentionally affordable\r\n\r\n\u003Cstrong\u003ETriveni has consistently resisted commercialisation, particularly through its open-access model. Why is this so important?\u003C/strong\u003E\r\n\r\nSince inception, the operative philosophy of Triveni is for anyone with or without means to be able to experience high-quality art. Performances at Triveni are not ticketed. Even today, when programmes are booked well in advance, we do not allow ticket sales. This is not accidental; it is a conscious refusal. We also do not accept government funding or personal donations. That independence is difficult, but it protects the institution from obligation and influence. Integrity has always mattered more than expansion.\r\n\r\n\u003Cstrong\u003ETriveni often feels less like an institution and more like a public space. Was that intentional?\u003C/strong\u003E\r\n\r\nVery much so. People walk in without purpose\u2014to sit in the garden, to pass through, to pause. Someone may come for a performance and stay for a conversation. Someone else may arrive for a class and discover an exhibition. That freedom of movement is essential. Art should not feel gated. It should be part of everyday life, not a destination that requires permission.\r\n\r\n\u003Cstrong\u003EIn a city now shaped by private galleries and art fairs, where does Triveni locate itself?\u003C/strong\u003E\r\n\r\nTriveni is not only a gallery; it is a teaching institute. We teach music, theatre, dance and visual arts under one roof. Education anchors everything we do. Other institutions may be larger or more resourced, but Triveni is an experience in itself. That has not changed.\r\n\r\n\u003Cstrong\u003EEducation seems deeply embedded in Triveni\u2019s structure. How do teachers and practitioners engage with the institution?\u003C/strong\u003E\r\n\r\nOur teachers do not stay for money. They stay for freedom. They are trusted, not monitored. They are allowed to teach in ways they believe in. Creative output suffers when control increases. Here, teachers have space\u2014to teach, to go home, to live their lives. That freedom sustains the institution quietly but powerfully.\r\n\r\n\u003Cstrong\u003ELegacy often extends beyond founders. How is Triveni\u2019s history carried forward today?\u003C/strong\u003E\r\n\r\nNot only through artists, but through everyone who works here. Many of our teachers and staff would not leave for higher pay elsewhere, because what they receive here is different. Triveni operates on principles rather than incentives. That continuity is its real inheritance.\r\n\r\n\u003Cstrong\u003EYour father\u2019s contribution is less widely known. How does his legacy intersect with Triveni\u2019s story?\u003C/strong\u003E\r\n\r\nMy father, Dr. Krishnalal Shridharani's story is essential. He was a freedom fighter, the youngest member of Gandhi\u2019s march at just seventeen. Later, he became a writer and thinker, refused American citizenship despite being offered it, and lived by principles of restraint and independence. That ethical grounding shaped our household. Triveni\u2019s refusal to compromise\u2014financially or ideologically\u2014comes from both my parents.\r\n\r\n\u003Cstrong\u003EFinally, what does Triveni represent to you today?\u003C/strong\u003E\r\n\r\nIt is like a railway track that keeps running. Many institutions will come up\u2014bigger, newer, more spectacular. Triveni will continue because it is built on experience, not scale. As long as that experience remains honest, its future is secure.\r\n\r\n\u003Cem\u003E\u003Cstrong\u003EAmar Shridharani is the Honorary General Secretary of Triveni Kala Sangam, carrying forward an institution shaped by openness, integrity and artistic freedom. At seventy-five, Triveni remains a living cultural space rooted in its founding vision and responsive to the present.\u2028\u003C/strong\u003E\u003C/em\u003E","post_title":"Triveni at 75: Sustaining a Living Culture in the Capital","post_excerpt":"In this special conversation marking 75 years of Triveni\u2019s journey, we sit down with Amar Shridharani, Honorary General Secretary of Triveni and son of its founder, who has preserved and extended his mother\u2019s mission with impeccable commitment. In a candid dialogue, Amar reflects on legacy, architecture, openness, and what it means to sustain a space that remains at once intimate, experimental and fiercely true to its founding vision.","post_status":"publish","post_parent":0,"post_author":"2","ID":96213,"post_date":"2026-02-04T14:32:33.000000Z","post_date_gmt":"2026-02-04T09:02:33.000000Z","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"triveni-at-75-sustaining-a-living-culture-in-the-capital","to_ping":"","pinged":"","post_modified":"2026-03-11T14:52:28.000000Z","post_modified_gmt":"2026-03-11T09:22:28.000000Z","post_content_filtered":"","guid":"https://indiaartfair.in/?p=96213","menu_order":5,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw","hide_advert?":false,"custom_advert_group":"","secondary_slider":[{"slider_image":100348,"video":false,"contain_media":false,"show_content":true,"custom_content":false,"slider_title":"","slider_sub_title":"","slider_link":null,"use_current_post_title":true,"story_or_event":null,"credit":"","show_sponsored_by_bmw":false,"custom_sponsor_logo":false,"sponsor_link":""}],"sign_posts":[],"intro_text":"\u003Cp\u003EIn this special conversation marking 75 years of Triveni Kala Sangam’s journey in Delhi, we sit down with Amar Shridharani, Honorary General Secretary of Triveni and son of its founder, who has preserved and extended his mother\u2019s mission with impeccable commitment. In a candid dialogue, Amar reflects on legacy, architecture, openness, and what it means to sustain a space that remains at once intimate, experimental and fiercely true to its founding vision.\u003C/p\u003E\n","show_play_button":false,"label_override":"","permalink":"https://indiaartfair.in/triveni-at-75-sustaining-a-living-culture-in-the-capital","featured_image":"\u003Cimg width=\"150\" height=\"150\" src=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-150x150.jpg 150w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-370x370.jpg 370w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-740x740.jpg 740w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" /\u003E","featured_image_url":"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-150x150.jpg","featured_image_caption":"","featured_image_sizes":true,"date_nice":"February 4, 2026","featured_image_rendered":"\u003Cimg width=\"360\" height=\"366\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-360x366.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-360x366.jpg 360w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-295x300.jpg 295w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1008x1024.jpg 1008w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-768x780.jpg 768w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1512x1536.jpg 1512w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-2016x2048.jpg 2016w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-280x284.jpg 280w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-560x569.jpg 560w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-320x325.jpg 320w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-640x650.jpg 640w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-720x731.jpg 720w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-450x457.jpg 450w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-900x914.jpg 900w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1280x1300.jpg 1280w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-742x754.jpg 742w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1484x1508.jpg 1484w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1600x1626.jpg 1600w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1920x1951.jpg 1920w\" data-sizes=\"auto, (max-width: 360px) 100vw, 360px\" /\u003E","featured_image_rendered_lg":"\u003Cimg width=\"742\" height=\"754\" src=\"https://indiaartfair.in/app/themes/iaf/public/images/lazy.4f12d8.png\" data-src=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-742x754.jpg\" class=\"lazy\" alt=\"\" decoding=\"async\" loading=\"lazy\" data-srcset=\"https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-742x754.jpg 742w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-295x300.jpg 295w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1008x1024.jpg 1008w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-768x780.jpg 768w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1512x1536.jpg 1512w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-2016x2048.jpg 2016w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-280x284.jpg 280w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-560x569.jpg 560w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-320x325.jpg 320w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-640x650.jpg 640w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-360x366.jpg 360w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-720x731.jpg 720w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-450x457.jpg 450w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-900x914.jpg 900w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1280x1300.jpg 1280w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1484x1508.jpg 1484w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1600x1626.jpg 1600w, https://indiaartfair.in/app/uploads/2026/02/BB26-TKS-1M-04395-1-1920x1951.jpg 1920w\" data-sizes=\"auto, (max-width: 742px) 100vw, 742px\" /\u003E","sponsored":false,"sponsored_label":""}]},"fairs":{"menu":"\n \u003Cnav class=\"sub-menu\"\u003E\n \u003Cul class=\"sub-menu__menu\"\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/\"\u003EDelhi\u003C/a\u003E\n \u003C/li\u003E\n \u003C/ul\u003E\n \u003C/nav\u003E\n "},"press":{"menu":"\n \u003Cnav class=\"sub-menu\"\u003E\n \u003Cul class=\"sub-menu__menu\"\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/press\"\u003EAccreditation\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/press/pressroom\"\u003EEnter The Press Room\u003C/a\u003E\n \u003C/li\u003E\n \u003Cli\u003E\n \u003Ca href=\"https://indiaartfair.in/press/coverage\"\u003ECoverage\u003C/a\u003E\n \u003C/li\u003E\n \u003C/ul\u003E\n \u003C/nav\u003E\n ","extras":[{"post_content":"","post_title":"India Art Fair 2025: A symphony of mediums, artworks, and 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